This is what a movie adaptation should be: a film whose base narrative has its roots in the source material but whose soul can be identified through the images that unfold on screen.. Shot like an inductee in the Hallmark Hall Of Fame, The Help covers an ugly era in superficial gloss that's only punctured by the particulars of Mississippi race law or hiring practices that are a mere hairsbreadth away from slavery.. As in many reductive period pieces, there are no real characters here, just arche...
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