Like Eastwood, it's a relic that dazzles you with its footwork, daring and class.. Is there a point to this spew, a cry against the mongrel violence of men? Or is Noe merely a sadist who enjoys inflicting ugly, pitiless images on his audience?. The movie is simultaneously conventional and subversive, broad and nuanced, shamelessly manipulative and genuinely moving, a cheap sucker punch and a work of real moral weight.. It's impressive, in the sense that a sucker-punch impresses itself on your sk...
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