Murray, of course, makes it all work well enough.. Wright's Pride is a boisterous, loud, dance-mad kind of place, full of ruddy-faced peasants, dirt and hay. The whole thing feels like it was art-directed by Bruegel on holiday.. Portman toils slavishly to realize Aronofsky's mad vision. It isn't her fault that, despite Black Swan's visual splendor and bursts of grand guignol excess, this emotionally inert movie never does grow wings.. For all its ham-fistedness, it captures something about the t...
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