[It's] certainly unequaled in its field for the beauty of its camerawork, sets, costumes and effects. But it's also conventionally plotted and not surprising or scary at all.. The insanely lush Gothic romance and ghost story plays like a hitherto unrecorded collaboration between Edgar Allen Poe, Edith Wharton, the designers of Disneyland's Haunted Mansion and whoever directed all those Bonnie Tyler music videos in the 1980s.. Unsurprisingly for a Del Toro film, the production design is the real ...
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